No matter how much I work in colour, I can’t seem to get really comfortable. I thought for this one, I might try a limited-palette, solid-colour approach, similar to this image (read the whole article on the artist here, at Leif Peng’s wonderful Today’s Inspiration site). I couldn’t get it to work, though, since I hadn’t started the drawing with that colouring style in mind. As a result, I didn’t design the image with enough big, solid, shapes or with the big contrasty hits of black. On images like this, I have usually failed to think in terms of colour, focusing instead on the shapes, the linework, and describing the things that I am trying to make an image of. That carries over to the colouring so that instead of really visualizing the image as a colour composition, I end up basically colouring within the lines, like a fancy colouring book. It becomes a technical exercise, where the new challenge is giving everything a colour and value that will approximately balance the composition now that it’s in colour and not just black and white lines. I would like to be thinking, “how can I use colour in this image to create the composition” rather than, “well, her boots are brown cause her boots are supposed to be brown, so how do I either mute their colour or compensate elsewhere so they don’t stick out”. I need to be using the colour purposefully and confidently, rather than as an “add-on” or a technicality. So I’m going to have to start thinking ahead.

That said, I enjoy the way images like this turn out, but the process is still too fiddly and technical-feeling.

Blah blah blah. Here’s some images and notes on the process…