100% zoom of a tiny chunk of the line-art pages I’ve been scanning in at 600DPI.

You’d think the Bristol Smooth paper would show less tooth than the Vellum, but only by a small degree (this is vellum, by the way).

This is what the scanned pages look like before I Photoshop them into high-contrast submission.

This little image reminds me of the girls in high school that would just doodle pretty eyes in the margins of their workbooks. They always had long, long lashes and little glinty reflections. Much more ornate than this.

Speaking of high-school and margin-drawings, my Grade 11 math teacher would get mad at me for doodling in the margins of my notebook. His disapproval messed me up. Now I write equations in the margins of my drawings.

Picked up a Canon Pro 9000 printer the other day based on the universal recommendation of my peers. It is enormous. Spent the morning hooking it up, figuring it out, and I think I’ve finally arrived at some decent results for printing out enlargements of my rough pages.

The roughs are tightened in Photoshop in greyscale, then I change ‘em to CMYK and add a Gradient Map adjustment layer to the top of the layer stack. The gradient is 30% cyan on one end, white on the other. I I send it to the printer, letting Photoshop manage the colours. Feed some Strathmore Bristol into the front-load slot on the printer, click, press, whirr, and hey – I have an 11×17 blue printout of my rough page, ready to clean.

When they’re scanned back in in RGB, removing the blue channel does a very acceptable job of sucking the rough out of the page. Yay.

Gonna spend tomorrow printing out the rest of Chapter 2, then I’ll finally get to peel myself away from this computer for some real drawing. Tightening the roughs has taken roughly two months, and I’m tired of this desk and this chair.

Anyone want to make a wager as to how many pages I can get through before the blue print cartridges expire?

Read More! »

Update. Work continues steadily on Delilah Dirk: I will finish the roughs for the last chapter tomorrow. Then it’s time to print ‘em out and clean up the artwork. I’m going to be trying a method that seems to be working for our friend Kazu. You start with small thumbnails (four pages per 8.5×11″ sheet), scan ‘em in, blow ‘em up, and clean up over that. My thumbs aren’t as clean as Kazu’s, so I’ve been tidying them up in Photoshop so that they’re legible to strangers (to get a better idea early on of how the book will read). I’ll probably do a writeup on the process later on, assuming it doesn’t completely fail for me.

Internet Fiddling. I have a Livejournal account and now a Posterous account. This post should be on Livejournal thanks to Posterous’s autoposting features. Theoretically, I email posterous, it posts the post there and simultaneously posts it to my Livejournal and my Twitter feed. Neat concept – I like the “connected-ness” of Posterous, and the autoposting to Livejournal means I don’t have to abandon one format to embrace another. It’s like if Microsoft had included email forwarding in Hotmail, I wouldn’t have to go back every now and then to make sure no one’s trying to reach me through an address I haven’t used in years since embracing Gmail.

Google is Terrifying. Does anyone else worry about the ubiquity of Google? I just installed Google Analytics on my site. I use Gmail (and so technically, it’s scanning all my communication as it looks for words to base the advertising off). I use a bunch of other Google stuff. They own Youtube. I’m sure there are other, more well-informed explorations of this issue, but what if Google went evil one day? I’m a bit scared.

Flickr. At least the internet’s favorite image host is owned by Yahoo. Sure, Google has Picasa, but it feels like Flickr has more people under its umbrella. Anyway, I filled out an account. You can check it out if you like, there’s some drawings and stuff there. Frustrating that I had to sign up for some stupid Yahoo ID to use it. Since it remembers who I am, I’ll only very rarely have to remember that stupid ID to log in, which means that I’ll forget it every effing time.

I should be wasting less time on the internet, more time making comics.

Hey there, Internet! It is 2010 – the official start of The Future. Each year I’ve been more and more disappointed at the refusal of flying cars to allow themselves to be invented. However, if you had told me ten years ago that I would have a little calculator-sized device on which I could store my whole music collection and check my e-mail (what’s an “e-mail”?) and even watch moving video images beamed telemagically into my device on invisible waves, I would have laughed you into a puddle. Same goes for if you had told me that I would prefer to spend my time reading through a column of 140-character ramblings of friends and celebrities over watching a television programme.  I had become so preoccupied waiting for the future I thought would arrive that I hardly noticed how much things had changed. And that’s just my iPod Touch – nevermind all the other crazy things that have happened (for example, people stopped saying “hella” and “rad”).

So maybe this year will be the year I stop waiting for the flying car. I’m going to get a new kitchen faucet and sink, I’m going to renovate the bathroom, and I’m going to finish a graphic novel (more on that later, I promise). I’m excited to find out what this purported Apple tablet might mean for comic books (it could be an awesome medium). I’m going to try to play video games a little less, and I will probably fail. But at least I won’t be waiting for the flying car.

To you who’s reading this – happy New Year to you, and I hope it is a good year with many successes, free from trouble, strife, and sickness. I will endeavour to provide more compelling content here, and when I fail at that, I will at least provide more content. If you’ll let me, I’ll be a part of your 2010, and you’ll be a part of mine, and it’ll be hella rad.

I got a nice email today complaining about the spastic frequency between postings on this blog. So here’s a new one, the first for a few months.

The problem is that the things I seem to end up working on are usually NDAed so I can’t share them until much later, or – like the example above – they spend a long time in a really unpresentable state. Like, I spent October working on four different writing projects. Then, in November, I did both NaNoWriMo and the rough story work for the project above. Not sure how to turn a few hundred pages’ worth of drawing into something worth looking at. Oh wait, that’s exactly what I’m trying to do.

Anyway, if you’re up for some rough drawings and comic panels without dialogue, there’s gonna be a lot of those over the next few weeks.