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Vol. 1: Line Art and Flexible Colour Treatments

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You’re going to want to start out with well-cleaned-up line art. Messy line art is much harder to work with. It doesn’t matter if it’s in pencil or pen. It’s a lot easier to get consistent results with pen, though, so if you’re using pencil, try to keep it pretty clean and pretty dark. I don’t have any hints on how to do that (I certainly haven’t mastered it myself, as you can see to the right), but I do know that the more time you spend practicing and the more care you take cleaning up, the better your results will be. If you don’t clean it up well enough right now, you’ll be cleaning it up later (we’ll get to that in a bit).

For the example, I’ve cleaned-up using pencil on top of rough Sanford Col-Erase Blue. There’s no need to put your clean lines on a separate sheet from your roughs – the blue pencil will come out completely in Photoshop unless you make it too dark. That step is outlined further down.

Col-Erase “Carmine Red” comes out just as cleanly as the standard Blue that all your Animator friends uses. Don't use Non-Photo Blue, as it's garbage to draw with, and don’t mix different colours of rough pencils on the same drawing. That’s much harder to remove.

Next: Scanning and Resolution...

 

 

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