PortfolioContact

 

 

Vol. 1: Line Art and Flexible Colour Treatments

<<Previous Chapter

Next Chapter>>

 

<Previous Page

Page [1]  2

 

 

Looking at our fresh scan, there are two immediate problems: 1) The presence of the rough blue pencil work, and 2) The supposedly white paper looks like rolling, grey hills.

The blue is fairly straight-forward to remove. Click over to your “Channels” palette (it’s grouped with the “Layers” palette by default). Photoshop shows you the three channels that make up most digital images – the Red, the Green, and the Blue.

If you see CMYK, you will have scanned your image as a CMYK image. That makes it much more difficult to remove the blue. You can easily convert it into an RBG image by selecting Image --> Mode --> RBG Colour.

Click through the R, the G, and the B channels. You’ll notice that the B channel doesn’t show any of the blue lines. If you drew in Carmine Red, it would be the R channel not showing the rough work.

We’re going to replace the scribbly, multi-coloured image we scanned with the contents of the blue layer. Here’s how:

1) Make the Blue channel active if it isn’t already.

2) Select the entire image (Select --> All, or hit CTRL-A).

3) Copy it (Edit --> Copy, or CTRL-C).

4) Switch back to the Layers palette and activate the “Background” layer.

5) Paste! (Edit --> Paste, or CTRL-V) A new layer will be created, its contents what we copied over from the blue channel.

6) Flatten the two layers into one. Hit the little arrow in the top-right of the Layers palette and select “Flatten Image…” (or hit CTRL-E to merge the layers to the same effect).

 

Our rough blue work is now gone, but my whites still aren’t white. This could be corrected in the scanner’s software, but it’s easier and more accurate to do it in Photoshop.

 

Continued on next page...

 

 

<Previous Page

Page [1]  2