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Vol. 1: Line Art and Flexible Colour Treatments

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You’re happy with the colour combination you’ve picked, you’ve shaded your character up, and you’ve coloured his lines. The individual finishing touches you add will be dependant entirely on the nature of your design, but for this example I’m going to add some highlights to the boots and to the silver pieces.

For the boot highlighting, I’ve added another Hue/Saturation layer to my Shadows set, except I’ve dragged the lightness up and increased the saturation only slightly. I found this to produce a fairly nice shiny-boot effect.

Then I created a layer above the Line Colouring layer – at the very top of the layer stack – and set its blending mode to Screen. I grabbed a very gentle, soft brush (similar to the one used for the shadow-tempering technique above) and picked a rich, bright violet colour. I went into the highlights layer and started laying down some subtle highlights where the silver should probably have highlights. Using violet (or any other highly-saturated colour, for that matter) results in a much more interesting, colourful glow effect than if plain old white were used.

I added some small dabs of highlight to her nose and her lips, walked to the fridge, grabbed a Cold One, and called it a day.

 

 

 

 

Special thanks to Mike Deas, Cynthia Lew, and Lih Liau for helping me refine this technique, and of course to Ms. Sarah for her editorial assistance.

 

 

 

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